Play Along Piano

Tags

Baroque

Raphaël Batôt

3:27	Est. Play Time
138	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpe	19	9	4	3	100%
	5	0	0	1	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpe	19	9	4	3	100%
	5	0	0	1	100%
Soprano	12	0	2	3	80%
Ténor	9	0	2	3	27%
	7	0	0	3	33%
Basse	9	0	0	3	31%

Rule Britannia by Thomas Augustine Arne

ChurchOrganist

1:12	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	0	4	4	100%
Bassoon	18	0	5	4	92%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	4	4	100%
Bassoon	18	5	4	92%
Violins 1	16	5	7	79%
Violins 2	16	6	5	75%
Timpani	2	0	6	71%
Trumpets 1 amp; 2	11	1	7	69%
Oboe 1 Oboe 2	11	4	7	48%
	11	4	6	58%
Violas	11	3	5	58%
Alfred	10	3	7	52%
Alto	6	1	7	20%
Bass	6	2	7	20%
Soprano	7	2	6	20%
Tenor	5	1	7	20%

Movement I — Concerto for Two Chalumeaux in D Minor (Telemann)

Benjamin Davidson

3:44	Est. Play Time
95	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Chalumeaux 1	17	0	5	11	99%
Chalumeaux 2	14	0	3	6	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Chalumeaux 1	17	0	5	11	99%
Chalumeaux 2	14	0	3	6	99%
Viola	10	0	3	4	36%
Violin	11	0	2	4	36%
Violoncello	7	0	1	4	34%
Harpsichord	16	4	1	5	29%
	4	0	3	2	2%

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
	13	0	2	8	67%
Alto	11	0	1	6	58%
Organ as by Handel	14	0	1	6	58%
Soprano II	12	0	3	6	58%
French Horn I	9	0	1	6	50%
French Horn II	9	0	1	6	50%
Oboe	13	16	2	6	35%
Bass	9	0	1	6	33%
Cello Continuo	9	0	1	6	33%
Cortrebass Continuo	9	0	1	6	33%
Organ Continuo	16	18	3	5	33%
Organo Continuo	10	1	1	6	33%
Tenor	8	0	2	6	33%
Viola	9	0	1	4	33%
Violin I	9	0	1	5	33%
Violin II	10	0	2	8	33%

Zelenka - Requiem in D - Recordare - Ingemisco (Dies Irae) (ZWV 46)

johnsmith1

3:32	Est. Play Time
109	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	7	5	97%
Chalumeau	16	0	6	8	90%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	7	5	97%
Chalumeau	16	6	8	90%
Violin	21	6	8	75%
Contralto	12	4	5	55%
Tenor	9	2	5	26%

Movement II — Concerto for Two Chalumeaux in D Minor (Telemann)

Benjamin Davidson

3:10	Est. Play Time
91	Measures
	1,195Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	6	2	4	24%
	24	18	8	5	87%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	6	2	4	24%
	24	18	8	5	87%
Violoncello	22	0	5	4	87%
Violin	26	0	11	3	76%
Chalumeaux 1	15	0	4	10	66%
Viola	16	5	4	4	54%
Chalumeaux 2	15	0	3	6	45%

Clarinet Concerto in D Major, Op.55, OW.22

IGitzDiz

10:39	Est. Play Time
136	Measures
	1,519Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I	28	4	13	10	100%
Violino II	24	12	9	8	98%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I	28	4	13	10	100%
Violino II	24	12	9	8	98%
Viola	22	2	8	7	97%
Violoncello e. Basso.	25	1	12	7	95%
Clarinetto principale in A/La	31	0	13	10	75%
2 Corni in A/La	11	5	2	7	26%
2 Oboi	10	2	3	7	24%

Canon Pipe Organ

Classical Music Central

3:46	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
8' Clarinet	17	12	0	6	94%
	19	24	2	6	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
8' Clarinet	17	12	0	6	94%
	19	24	2	6	100%
8' Diapason	19	24	2	6	100%
	17	12	0	6	94%
16' Diapason	7	0	0	1	85%
16' String	6	0	0	1	85%
8' Crescendo	14	5	2	5	28%
	14	2	1	4	25%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
Violoncello	24	0	5	6	97%
Contrabass	24	0	5	5	88%
Dorinda	17	0	6	6	75%
Violins 1	22	0	7	7	56%
Contrabasses	17	0	4	3	47%
Violoncellos	17	0	4	3	47%
Bassoon	10	0	2	3	13%
Oboe	14	0	2	5	13%

Zelenka - Regem Cui Omnia Vivunt, Officium Defunctorum (ZWV 47)

johnsmith1

10:59	Est. Play Time
241	Measures
	2,635Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	26	0	8	9	82%
Basso Continuo	27	0	8	8	80%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	26	0	8	9	82%
Basso Continuo	27	0	8	8	80%
Violins I	29	1	12	9	79%
Violins II	28	0	11	8	78%
Alto	14	0	5	7	67%
Flute	26	9	10	6	65%
Oboe	22	10	8	6	54%
Bass	13	0	3	6	32%
Soprano	11	0	3	4	27%
Tenor	9	0	2	4	26%

Double Bass Concerto by Karl Kohaut (1726 - 1784)

Plagal

22:23	Est. Play Time
268	Measures
	1,883Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Contrabasso Principale]	31	0	16	10	100%
[Basso]	25	0	12	7	94%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Contrabasso Principale]	31	0	16	10	100%
[Basso]	25	0	12	7	94%
[Violino I.]	30	2	15	8	85%
[Violino II.]	31	2	15	8	84%
[Corni in D]	11	0	2	5	38%

HWV7A2N0b "Siam prossimi al porto" (1731)

edward.maurath

2:15	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
Violoncello	22	0	6	7	100%
Goffredo	14	0	4	7	57%
Violins	12	0	2	6	41%
Kontrebaß	15	0	1	5	40%
Violoncellos	15	0	1	5	40%

Rondo e-moll

jan.gasper.0

3:04	Est. Play Time
77	Measures
	1,305Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	16	2	5	100%
	15	0	2	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	16	2	5	100%
	15	0	2	4	100%
Violončelo	15	0	2	4	100%
Husle	12	0	1	4	68%
	9	0	1	4	68%
	17	0	2	5	77%
Zobcová flauta	15	0	2	5	42%
	15	0	2	5	40%

"Vo' far guerra, e vincer voglio" from "Rinaldo," HWV 7, 1711

edward.maurath

1:46	Est. Play Time
96	Measures
	1,603Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo	24	71	5	8	85%
	25	50	6	8	97%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Solo	24	71	5	8	85%
	25	50	6	8	97%
Violoncello (Continuo)	18	0	4	7	53%
Violin	18	0	4	7	45%
	17	0	4	7	45%
Contrabassi (Continuo)	18	0	4	6	44%
Violoncelli (Continuo)	18	0	4	6	44%
Armida (Soprano)	14	0	3	8	43%
Viola	14	0	4	4	43%
Oboe	12	0	0	7	30%
	13	0	2	7	30%
Bassoon (Continuo)	14	0	0	6	27%

"Scepter und Kron," an aria from Handel's first Opera, "Almira."

edward.maurath

4:36	Est. Play Time
46	Measures
	1,771Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso (Continuo)	19	0	5	6	100%
Violoncello (Continuo)	19	0	5	6	100%
Cembalo (Continuo)	21	45	5	7	87%
	24	36	4	7	87%
Harp (Continuo)	18	33	3	6	80%
	18	24	3	6	74%
Contrabassi (Continuo)	13	0	2	5	72%
Violini	17	0	3	5	72%
Violoncelli (Continuo)	13	0	2	5	72%
Osman	16	0	5	6	39%
Bassoon (Continuo)	13	0	2	5	37%
	13	0	2	5	37%
Oboe	12	0	2	5	37%
	12	0	1	5	37%
Violas	9	0	1	4	20%
Consalvo	8	0	0	2	11%

BWV245N4 - Rec: Evangelist & Jesus: Auf Daß das Wort

edward.maurath

1:12	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	12	0	4	6	100%
Harpsichord	15	17	7	5	73%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	12	0	4	6	100%
Harpsichord	15	17	7	5	73%
	9	0	2	4	67%
Evangelist	17	0	6	3	73%
Organ Continuo	10	9	2	6	33%
	8	0	2	6	33%
	8	0	2	6	33%
Jesus	12	0	2	4	33%

Handel - HWV 61, Overture in e minor

edward.maurath

6:09	Est. Play Time
70	Measures
	2,097Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1	26	0	9	10	98%
Viola	18	1	5	9	96%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln 1	26	0	9	10	98%
Viola	18	1	5	9	96%
Vln 2	29	0	11	10	96%
VLN 3	20	2	6	9	91%
Harpsi	19	44	4	8	51%
	25	14	9	9	87%
Cello	23	0	8	9	87%
Kontrebaß	23	0	8	9	87%
OBO 1	22	1	8	10	83%
OBO 2	22	1	8	10	83%
Bassoon	23	0	8	9	79%
Organ	15	21	2	8	38%
	17	8	2	7	29%

"Perchè viva" from HWV 5, "Rodrigo" (1707)

edward.maurath

3:36	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	20	65	8	6	100%
	22	32	6	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	20	65	8	6	100%
	22	32	6	6	100%
Violoncello (Continuo)	22	0	6	6	100%
Esilena	17	0	7	7	73%
Contrabassi (Continuo)	15	0	1	4	18%
Violins 1	15	0	2	8	18%
Violins 2	14	0	2	6	18%
Violas	10	0	1	6	15%
Violoncelli (Continuo)	16	0	1	4	15%